Issue No. 4, Vol 105 (2018)


Viennese Czechs dance the “Czech Beseda”: form and meaning of the dance in the 21st century.
The Czech Beseda dance represented an important and frequently chosen piece of salon dances repertoire in the Czech Lands which was often danced from the 1860s, through the era of the First Czechoslovak Republic and the period of the Protectorate of Bohemia and Moravia. However, only few dancers are able to dance the Beseda today. Both in the past and present, the Beseda represented an element of Czech culture, which has been frequently evoked, revived and practiced among Czech emigrants and expats abroad. Till the present it is possible to observe dancing of the Czech Beseda at social gatherings and cultural events of the Viennese Czechs. Through a theoretical perspective of ethnomusicology, respectively anthropology of dance, the aim of this study is to reply to following research questions: which form of the Czech Beseda do the contemporary Viennese Czechs dance? Where and in which contexts is it possible to encounter the Beseda dance with? Who is interested in learning and dancing the Beseda in Vienna today and why? Who does teach the Beseda in Vienna and how is it transmitted? Why the Beseda is important for the contemporary Viennese Czechs, which values and meanings are associated with the dance?
Tramp Settlements in the Context of Informal Architecture
This paper presents the issues of architectural and spatial development of tramp settlements and campsites during the 20th century, with an emphasis on how the use of these sites changed depending on the degree of their formal recognition. It places this type of sites and buildings into the wider context of informal architecture research, and also discusses how the official recognition of such sites was related to changes in ownership and privacy perception.
The Participatory Game and Sense of Wonder. Some Notes on the Numinous Cooperative Model of Popular Culture
Contrary to the currently prevailing neomarxist concept of hegemony, this study uses a model of participative culture in the research of popular culture. It is based on the idea of cooperation between agents of cultural industry and its users, especially in the environment of distinct subcultures. The author of the study complements this idea with the concept of the participatory game as a fundamental principle in the genesis and reception of popular culture. This game element is related to the concept of archetypal-mythical thinking, which is also characteristic of present-day man. This concept brings the sense of the sacred into popular culture. The author sees this phenomenon as particularly important, especially in the area of popular fantastical literature (science fiction, fantasy), the basic characteristics of which include the so-called sense of wonder. He presents fanfiction, in which “amateurs” recreate and reinterpret pop culture artifacts, as one of the specific creative expressions of religiosity on a game basis.
As if to say, kind of: courtroom talk not in the record. A case study of court proceedings with an asylum applicant
In this study, I pay attention to the linguistic means that weaken the effect of an asylum applicant’s speech at the court. I focus on selected words implying doubt, uncertainty, assumption, or presumption. The case study presents the partial results of the ethnographic research that took place at the hearings with the asylum applicants in 2015-2018 at the Regional Court in Bratislava. I pay attention to the linguistic practices which significantly influenced atmosphere of a hearing: the applicant was not aware of the expressions which were adjoined to his speech and weakened his argumentation. These expressions were not part of the official record. I interpret the linguistic means of identity construction at courts in accordance to the anthropological and sociolinguistic works of Diana Eades, Anthony Good, Katrijn Maryns, and Susan Philips. In a broader context, I also make use of Pierre Bourdieu’s theory of production and reproduction of legitimate language.
The Digital Platform of the Polish Ethnographic Atlas - From Idea to Implementation


The Exhibition František Sušil
Světové muzeum ve Vídni (Weltmuseum Wien): vrchol muzejní etnografie?
7. mezinárodní konference Ethnology without borders
70 let srbského Etnografického ústavu Srbské akademie věd a umění


Boukal, Tomáš: Cesta lesem: Mansové v perspektivě reflexivní ekologické antropologie
Uther, Hans-Jörg: Deutscher Märchenkatalog. Ein Typenverzeichnis
Konopíková, Michaela: Kavky a kosatce: Antropologie turismu, prostoru a identity v Maroku